MARC details
| 000 -LEADER |
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03188nam a2200433 i 4500 |
| 001 - CONTROL NUMBER |
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AH37735634 |
| 003 - CONTROL NUMBER IDENTIFIER |
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StDuBDS |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240426161117.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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201119s2020 enk fs 000|0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350093157 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350093164 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350093133 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781350093140 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
StDuBDS |
| Language of cataloging |
eng |
| Transcribing agency |
StDuBDS |
| Modifying agency |
StDuBDSZ |
| -- |
UkPrAHLS |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Walsh, Maria, |
| Relator term |
author. |
| 9 (RLIN) |
22577 |
| 245 10 - TITLE STATEMENT |
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| Title |
Therapeutic aesthetics : |
| Remainder of title |
performative encounters in moving image artworks / |
| Statement of responsibility, etc. |
Maria Walsh. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Bloomsbury Academic, |
| Date of publication, distribution, etc. |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
240 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
Radical aesthetics, radical art |
| 9 (RLIN) |
2270 |
| 490 1# - SERIES STATEMENT |
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| Series statement |
. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
1. Setting the scene – two supplementary vignettes |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
2. The imbrication of poison and cure in Harun Farocki |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
3. Homeopathic mimicry in Omer Fast's war trilogy |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
4. Melanie Gilligan's signifying semiologies and the micro-resistance of collective subjectivity |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
5. Pharmacological reparation in Liz Magic Laser's Primal Speech |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
6. Leigh Ledare's pharmacological aesthetics of group analysis |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
7. Aesthetic modes of performative truth-telling in The O Show and Self Made |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
8. The transitional pleasures of emotional labour in Lucy Beech's and Rehana Zaman's videos |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
Conclusion: Toxicity and self-care – two poles of pharmacological aesthetics |
| 520 8# - SUMMARY, ETC. |
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| Summary, etc. |
Over the last century, society has witnessed a dramatic shift away from industrial employment, where profit was largely achieved via physical labour to that in which money is made from mental exertion. In this original and provocative book, Maria Walsh contends that modern neo-liberal conditions have created a world of precarity, in which labour is expendable, material success is essential and technology means that the old work-life balance no longer exists. Even artists, she argues, who previously believed themselves to be removed from the commercial realm, have found themselves labelled as commodities whose work can be marketed for financial gain. In order to process their trauma, and that of the precariat at large, Walsh asserts that moving-image artists have created a slew of works that perform therapeutic techniques such as REBT (Rational Emotive Behaviour Therapy) and VRET (Virtual Reality Exposure Therapy) that allow creators and viewers to acknowledge and surmount the increasing cases of depression, anxiety and post-traumatic stress disorder that precarity and instability have wrought upon modern life. Walsh's case studies ensure that this book is useful for students and scholars in the areas of art, philosophy and aesthetics, or those studying the therapeutic qualities of art. |
| 530 ## - ADDITIONAL PHYSICAL FORM AVAILABLE NOTE |
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| Additional physical form available note |
Also available in printed form ISBN 9781350093157. |
| 533 ## - REPRODUCTION NOTE |
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| Type of reproduction |
Electronic reproduction. |
| Agency responsible for reproduction |
Askews and Holts. |
| Note about reproduction |
Mode of access: World Wide Web. |
| 600 #0 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Fox, Oriana |
| 9 (RLIN) |
40414 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art therapy |
| 9 (RLIN) |
24846 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Radical aesthetics, radical art |
| 9 (RLIN) |
2270 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |
