Autotheory as feminist practice in art, writing, and criticism / (Record no. 21334)
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000 -LEADER | |
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fixed length control field | 03033pam a2200349 i 4500 |
001 - CONTROL NUMBER | |
control field | 2020013894 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | DLC |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20230321145118.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 200324t20212021maua b 001 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780262045568 |
Qualifying information | hardback |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | DLC |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | DLC |
Modifying agency | UK-RwCLS |
-- | UK-LoUA |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Fournier, Lauren, |
Relator term | author. |
9 (RLIN) | 468629 |
245 10 - TITLE STATEMENT | |
Title | Autotheory as feminist practice in art, writing, and criticism / |
Statement of responsibility, etc. | Lauren Fournier. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Cambridge, Massachusetts : |
Name of producer, publisher, distributor, manufacturer | The MIT Press, |
Date of production, publication, distribution, manufacture, or copyright notice | [2021] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2021 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | viii, 308 pages : |
Other physical details | illustrations ; |
Dimensions | 24 cm |
336 ## - CONTENT TYPE | |
Content type term | text |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | unmediated |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | volume |
Source | rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc. note | Includes bibliographical references (pages 277-299) and index. |
505 ## - FORMATTED CONTENTS NOTE | |
Title | Performing Kant: surviving philosophy through self-imaging |
505 ## - FORMATTED CONTENTS NOTE | |
Title | No theory, no cry: autotheory's economies and circulations |
505 ## - FORMATTED CONTENTS NOTE | |
Title | Citation as relation: intertextual intimacies and identifications |
505 ## - FORMATTED CONTENTS NOTE | |
Title | Performing citations and visualizing references: drawn bibliographies, sculpted theory, and other mimetic moves |
505 ## - FORMATTED CONTENTS NOTE | |
Title | J'accuse: autotheory and the feminist politics of disclosure and exposure |
505 ## - FORMATTED CONTENTS NOTE | |
Title | Autotheory in (de)colonial times |
520 ## - SUMMARY, ETC. | |
Summary, etc. | In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.<br/><br/>Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Arts, Modern |
General subdivision | Philosophy. |
9 (RLIN) | 36430 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Autobiography in art. |
9 (RLIN) | 444945 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Feminism and the arts. |
9 (RLIN) | 232100 |
942 00 - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | Dewey Decimal Classification |
Koha item type | Book |
Withdrawn status | Lost status | Damaged status | Not for loan | Collection code | Home library | Current library | Date acquired | Cost, normal purchase price | Total Checkouts | Total Renewals | Full call number | Barcode | Checked out | Date last seen | Date last checked out | Price effective from | Koha item type |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Blue | CGLAS Library | CGLAS Library | 13/05/2022 | 30.00 | 7 | 9 | 701 FOU | 12103 | 27/02/2025 | 13/02/2025 | 13/02/2025 | 13/05/2022 | Book |