Sources on art technology : (Record no. 21729)

MARC details
000 -LEADER
fixed length control field 05347pam a2200421 i 4500
001 - CONTROL NUMBER
control field 99115795641604341
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240821103910.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 160119s2016 enkab b 100 0 eng d
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBB613248
Source bnb
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Record control number 017718084
Source Uk
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781909492332
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1909492337
035 ## - SYSTEM CONTROL NUMBER
System control number (Uk)017718084
040 ## - CATALOGING SOURCE
Original cataloging agency StDuBDS
Language of cataloging eng
Transcribing agency StDuBDS
Modifying agency Uk
Description conventions rda
042 ## - AUTHENTICATION CODE
Authentication code ukblsr
110 2# - MAIN ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Art Technological Source Research (Study group).
Subordinate unit Symposium (6th :
Date of meeting or treaty signing 2014 :
Location of meeting Amsterdam, Netherlands)
9 (RLIN) 28763
245 10 - TITLE STATEMENT
Title Sources on art technology :
Remainder of title back to basics : proceedings of the sixth symposium of the ICOM-CC Working Group for Art Technological Source Research, held at the Rijksmuseum, Amsterdam, 16-17 June 2014 /
Statement of responsibility, etc. edited by Sigrid Eyb-Green, Joyce H. Townsend, Kathrin Pilz, Stefanos Kroustallis and Idelette van Leeuwen.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Archetype Publications,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
300 ## - PHYSICAL DESCRIPTION
Extent vii, 163 pages :
Other physical details illustrations (black and white, and colour), map (colour) ;
Dimensions 30 cm
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note The painter's workshop as seen by Stradanus / Jan Piet Filedt Kok -- Back to basics: what do we do with art technological sources once we have found them? / William Whitney -- Back to the text: artists' recipe books as historical sources for research into art technology / Sylvie Neven -- Artists' treatises and recipe books: a discussion of authors, readers and users / Cristiana Pasqualetti -- Light-sensitive pigments discussed in early sources on photochemical imaging processes / Albrecht Pohlmann -- Eilido colours: sources relating to the introduction of coal-tar colours and their controversial reception in the early 20th century / Christoph Steuer -- Making paint in the 20th century: the Talens Archive / Bert Klein Ovink -- Recipes for deceit: documentary sources for the production of paintings forgeries from 1300 to 1900 / Jilleen Nadolny -- What's wrong with Thompson's Cennini? / Mark Clarke -- Compendium de coloribus collectum: a compendium of recipes in Palatine Ms. 981 of the Biblioteca Nazionale in Florence / Federica Ferla -- Pictoria, sculptoria et quae subaltenarum artium: is the de Mayerne manuscript unified or heterogeneous? / Cecile Parmentier -- Breaking the mould: a history of sand mould casting in Western Europe based on early written sources / Tonny P.C. Beentjes -- Interpreting lac dye in medieval written sources: new knowledge from the reconstruction of recipes relating to illuminations in Portuguese manuscripts / Maria Joao Melo -- 'To keep the colours fresh, alive and bright': the influence of preparatory layers on the durability of oil painting, according to North West European recipe books 1550-1900 / Maartje Stols-Witlox -- The Jesuit contribution to written art technological sources in the 17th and 18th centuries / Corinna Gramatke -- Liotard, Stoupan and the colours available to 18th-century European artists / Leila Sauvage -- Forming or transformation: the technology of horn working in sources, in practice and compared to objects / Christoph Krekel -- Shorter papers from poster presentations -- Unpublished 17th-century documents relevant to the production of artists' pigments / Arie Wallert -- De vitri coloribus: a treatise on glass or pottery working and colouring / Paola Travaglio -- Documentation of European recipes for glue lining paste / Rita Gil -- Zinc vitriol in late medieval oil painting: a preliminary study using reconstructions / Arie Wallert -- From collaboration to competition: the introduction of Heinrich Ludwig's petroleum oil paints / Kathrin Kinseher -- The use of documentary sources for identifying suppliers of painting materials in 19th-century Portugal / Rita Macedo -- Reconsidering the use of copper resinate, from painting on canvas and panel to painting on glass and metal / Claudio Seccaroni -- Winsor & Newton's 19th-century manufacture of yellow chromate-based pigments / Maria Joao Melo -- Painting techniques of Jean Cousin the Elder and Younger in the light of a French manuscript / Estelle Itie -- Soehnee Freres retouching varnish and American painters / Gay Myers -- The trade in chalk as an artists' material in early modern Europe / Marieken van den Bichelaer -- The Royal Danish Colour Chamber and the 17th-century trade in artists' materials / Anne Haack. Christensen -- (Re)constructed harmony: the replication of a Renaissance viol aided by historical sources / Wolfgang Baatz -- Medieval gilding / Alison Stock
520 ## - SUMMARY, ETC.
Summary, etc. A collection of papers from the 2014 biennial ATSR symposium investigating the uses of source material for historical research and the conservation of art today.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Artists' materials
Form subdivision Congresses.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art and technology
Form subdivision Congresses.
9 (RLIN) 20450
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Technology and the arts
Form subdivision Congresses.
9 (RLIN) 20528
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Pigments
Form subdivision Congresses.
9 (RLIN) 28764
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Eyb-Green, Sigrid,
Relator term editor.
9 (RLIN) 20455
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Townsend, Joyce,
Relator term editor.
9 (RLIN) 20454
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Pilz, Kathrin,
Relator term editor.
9 (RLIN) 20456
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Kroustallis, Stefanos,
Relator term editor.
9 (RLIN) 20529
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Leeuwen, Idelette Van,
Relator term editor.
9 (RLIN) 20530
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Rijksmuseum (Netherlands),
Relator term host institution.
9 (RLIN) 28766
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Green CGLAS Library CGLAS Library Conservation Reading Room 13/05/2022 80.00   702.805 ATS 08323 13/05/2022 13/05/2022 Book