Methods and materials of painting of the great schools and masters : (Record no. 25049)

MARC details
000 -LEADER
fixed length control field 03971cam a2200277 a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250224150027.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 001031s2001 nyua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 00052303
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780486417264
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0486417263
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Transcribing agency DLC
Modifying agency DLC
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Eastlake, Charles Lock,
Titles and words associated with a name Sir,
Dates associated with a name 1793-1865.
9 (RLIN) 25992
240 10 - UNIFORM TITLE
Uniform title Materials for a history of oil painting.
245 10 - TITLE STATEMENT
Title Methods and materials of painting of the great schools and masters :
Remainder of title two volumes bound as one /
Statement of responsibility, etc. Sir Charles Lock Eastlake.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Mineola, N.Y. :
Name of publisher, distributor, etc. Dover Publications,
Date of publication, distribution, etc. c2001.
300 ## - PHYSICAL DESCRIPTION
Extent 2 volumes in 1 (xii, 561 pages, xiv, 434 pages) ;
Dimensions 22 cm.
500 ## - GENERAL NOTE
General note Originally published: Materials for a history of oil painting. London : Longman, Brown, Green, and Longmans, 1847; previously published in 2 v. by Dover in 1960.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note v. 1. Connexion between the early history of painting and that of medicine -- The Ancients -- Earliest practice of oil painting -- Oil painting during the latter part of the fourteenth century ; Note on a Venetian manuscript in the British museum -- Practice of painting generally during the fourteenth century ; Note on a German manuscript in the public library at Strassburg -- Fresco painting and wax painting during the fourteenth century ; Note on some early specimens on English art -- Vasari's account of the method of oil painting introduced by Van Eyck ; Note on the introduction of oil painting into Italy -- Examination of Vasari's statements respecting the invention of Van Eyck -- Oleo-resinous vehicles -- Preparation of oils -- Methods of the Flemish school considered generally ; Note on the modes of strengthening Panels by Ledges or Battens -- Preparation of colours ; Note on the use of triptychs, &c. ; Note on the varnish prepared from the Olio d' Abezzo -- Practice of later masters ; Extracts from notes by Sir Joshua Reynolds ; Note on the Mayerne manuscript in the British Museum -- Additions and corrections ; Scriptural and historical subjects painted in England during the Reign of Henry III.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note v. 2. Folco Portinari and his descendants, Hospital of S. Maria Nuova, Ancient Florentine academy of painters, Antonello da Messina, The Pollaiuoli ; Note on two copies of an inedited manuscript by Antonio Filarete -- Recapitulation of characteristics of early Flemish school, The varnish of tempera pictures, Improvements by Van Eyck, mixture of varnish with colours, Methods of painting -- Lorenzo di Credi, Leonardo da Vinci, Pietro Perugino, Francesco Francia -- Raphael, Fra Bartolommeo, Mariotto Albertinelli, Ridolfo Ghirlandajo, Grancacci, Bugiardini, Andrea del Sarto -- Correggio -- Venetian methods -- Professional essays: Colour, light, shade, Correggio, & c -- Necessity for definitions -- Negative lights and shades -- Natural harmonies -- Natural contrasts -- Finish -- Space -- Effect -- Chiaroscuro preparations, their effect, duly managed, of producing depth and richness -- Chiaroscuro preparations, transparent brown -- Depth of light tints -- Warm shadows -- Treatment of green and blue -- Oiling out -- Vehicle for shadows -- Transparent painting -- Depth; transparent medium -- Cool lights on red -- Oil painting -- Macchia -- Venetian process -- Bellini thinned his vehicle with linseed oil -- Warm outlines and shadows -- Neutral tints in white and other draperies -- Toning, to mitigate partial or general crudeness -- Texture; Contract of surface in scumbling -- Scumbling and retouching -- Crispness and sharpness before toning -- Glazing system -- Life in inanimate things -- Palette knife -- The gem-like quality -- Facility of execution -- Remedies -- How to compose and paint a single head -- On subjects for painting -- Means and end of art.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
General subdivision History.
9 (RLIN) 24968
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
General subdivision Technique
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Artists' materials
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Home library Current library Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
        Red CGLAS Library CGLAS Library 13/05/2022 33.49   751.4 EAS 00715 13/05/2022 13/05/2022 Book