Published on the occasion of the exhibition held at Drawign Room, London, 17 July 22 August 2021. The five artists explored in this publication - Kate Lyddon, Alice Maher, Richard Mark Rawlins, Caroline Wong and Joel Wyllie - use the slow processes of drawing to work through deeply personal experiences, anxieties, and desires. Drawing is agile enough to move across different periods of the artists lives: backwards, to recollected experiences; inwards, to excavate things that are hidden or obscured; and forwards, to new forms that arise through the process. Ostensibly modest practices - drawing, erasing, redrawing can produce unimaginable beings and worlds that can surprise even their makers. Contributors to the publication: Kate Macfarlane, Jacqui McIntosh, Mary Doyle and Huma Kabakci

Published on the occasion of the exhibition held at Drawign Room, London, 17 July 22 August 2021. The five artists explored in this publication - Kate Lyddon, Alice Maher, Richard Mark Rawlins, Caroline Wong and Joel Wyllie - use the slow processes of drawing to work through deeply personal experiences, anxieties, and desires. Drawing is agile enough to move across different periods of the artists lives: backwards, to recollected experiences; inwards, to excavate things that are hidden or obscured; and forwards, to new forms that arise through the process. Ostensibly modest practices - drawing, erasing, redrawing can produce unimaginable beings and worlds that can surprise even their makers. Contributors to the publication: Kate Macfarlane, Jacqui McIntosh, Mary Doyle and Huma Kabakci