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TE : Tracey Emin / Neal Brown.

By: Contributor(s): Series: Modern artistsPublication details: London : Tate, 2006.Description: 128 pages : color illustrations ; 27 cmISBN:
  • 1854375423
  • 9781854375421
Subject(s):
Contents:
'Birds' 1993 and other monoprints 1987-2005; Interviews between Tracy Emin and Carl Freedman (1997)
'Hotel international' 1993 and other blankets and fabric works; Selected interview answers 1995-2005
'Exploration of the soul' 1994 and other writings, publications and performances ; Edited text of 'Exploration of the soul' 1994
'Why I never became a dancer' 1995 and other videos, films and photographs ; Edited transcript of 'Why I never became a dancer' 1995
'Everyone I have ever slept with 1963-1995' 1995 (also known as 'The tent') ; Edited transcript of 'Tracey Emin's CV Cunt Vernacular' 1997
'My bed' 1998 and other wooden sculptures ; Edited text of 'Always glad to see you' 1996
Context: contemporary art and religious experience
Summary: This book presents her art in clear accessible language, with full-colour reproductions throughout. It includes interviews with Emin, as well as her own writings, and provides a key to understanding one of the most discussed contemporary artists at work.

Includes bibliographical references and index.

'Birds' 1993 and other monoprints 1987-2005; Interviews between Tracy Emin and Carl Freedman (1997)

'Hotel international' 1993 and other blankets and fabric works; Selected interview answers 1995-2005

'Exploration of the soul' 1994 and other writings, publications and performances ; Edited text of 'Exploration of the soul' 1994

'Why I never became a dancer' 1995 and other videos, films and photographs ; Edited transcript of 'Why I never became a dancer' 1995

'Everyone I have ever slept with 1963-1995' 1995 (also known as 'The tent') ; Edited transcript of 'Tracey Emin's CV Cunt Vernacular' 1997

'My bed' 1998 and other wooden sculptures ; Edited text of 'Always glad to see you' 1996

Context: contemporary art and religious experience

This book presents her art in clear accessible language, with full-colour reproductions throughout. It includes interviews with Emin, as well as her own writings, and provides a key to understanding one of the most discussed contemporary artists at work.