Pierre Huyghe / editors: Rebecca Lewin and Natalia Grabowska with Anne Stenne.
Publication details: London ; Feldmeilen, Switzerland : Serpentine Galleries ; Koenig Books ; Luma Foundation, 2019.Description: 447 pages : chiefly illustrations (chiefly color) ; 21 cmISBN:- 9783960987093
- 3960987099
- 9781908617620
- 1908617624
Item type | Current library | Call number | Status | Barcode | |
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CGLAS Library Monographs Room | HUY (Browse shelf(Opens below)) | Available | 12301 |
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Published on the occasion of the exhibition "UUmwelt" at the Serpentine Galleries, London, England, October 2, 2018-February 10, 2019
Includes bibliographical references.
Serpentine Galleries forward / Hans Ulrich Obrist -- LUMA Foundation forward / Maja Hoffmann -- Situated cosmo-technologies. Pierre Huyghe's Untilled and After alife ahead / Dorothea von Hantelmann -- Conversation / Hans Ulrich Obrist and Pierre Huyghe -- The host and the cloud, 2009-10 -- Zoodram, 2009-13 -- Influants, 2011 -- Untilled, 2011-12 -- A way in untilled, 2012 -- Colony collapse, 2012 -- El día del ojo, 2012-ongoing -- Circadian dilemma (el día del ojo), 2017 -- Exomind, 2017-ongoing -- Retrospective, 2014-15 -- The artist's institute, 2014 -- In border deep, 2014. La Déraison ; Nymphéas transplant ; Human mask ; De-extinction ; Eternal second, a million years ago -- Matter leak, 2015. Museum-penetrating-radar ; Copper man -- Abyssal plain, 2015-ongoing -- Cerro indio muerto, 2016 -- Orphan patterns, 2016. Mating ; Orphan ; Swarm ; Fugitive attractor -- Living cancer variator, 2016 -- After alife ahead, 2017 -- UUmwelt, 2018.
A survey of Pierre Huyghe's practice from the last ten years: 'The Host and the Cloud' (2009-2010) took place in a former museum in Paris; 'Untilled' (2012) was developped during documenta (13); 'After ALife Ahead' (2017) was conceived in a disused ice rink as part of Skulptur Projekte Munster; 'UUmwelt' (2018), which was installed first at the Serpentine Galleries in London, and later at Luma Arles, is the culmination of a ground-breaking approach to exhibitions. A conversation between Hans Ulrich Obrist and an essay by Dorothea von Hantelmann offer a comprehensive discussion of this period. Drawings, diagrams, plans, text and reference images, photographs and film stills add to over 400 pages and make this an important reference book.