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Linderism / edited by Amy Tobin with Alina Khakoo.

By: Contributor(s): Publication details: London : Verlag der Buchhandlung Walther Konig, 2020.Description: 128 pages : illustrations (chiefly color) ; 30 cmISBN:
  • 9783960987680
Subject(s):
Contents:
Preface / Andrew Nairne -- Introduction / Amy Tobin -- Linderism : the red period / Amy Tobin -- At the ballet / James Boaden -- The languages of flowers / Alyce Mahon -- Raising old ghosts : Linder's conversations with the dead / Sarah Victoria Turner
Summary: A new solo exhibition of work by Linder. Most well known for her photomontage, this exhibition explores the diverse range of Linders practice. It explores Linder as performance artist, zine-maker, musician, documentary-photographer, collaborator, muse, guru, medium and body-builder. Through the use of the Kettles Yard Archive, Linder also approaches Helen Edes elusive presence in Kettles Yard. Linder reinstates Helen through the creation of House of Helen, a brand of products available in the shop. A series of new commissions engage all five senses and see Linder staging interventions in all areas of Kettles Yard. Linder was born in Liverpool in 1954 and was an active figure in the punk and post-punk music scenes. Probably best known for the album covers which she created, her photomontages often combine everyday images taken from fashion or home magazines with images from pornography.
Holdings
Item type Current library Call number Status Date due Barcode
Book Book CGLAS Library Monographs Room LIN (Browse shelf(Opens below)) Checked out 19/03/2025 11713

Published on the occasion of the exhibition held at Kettle's Yard, University of Cambridge, 15 February - 26 April 2020.

Includes bibliographical references.

Preface / Andrew Nairne -- Introduction / Amy Tobin -- Linderism : the red period / Amy Tobin -- At the ballet / James Boaden -- The languages of flowers / Alyce Mahon -- Raising old ghosts : Linder's conversations with the dead / Sarah Victoria Turner

A new solo exhibition of work by Linder. Most well known for her photomontage, this exhibition explores the diverse range of Linders practice. It explores Linder as performance artist, zine-maker, musician, documentary-photographer, collaborator, muse, guru, medium and body-builder. Through the use of the Kettles Yard Archive, Linder also approaches Helen Edes elusive presence in Kettles Yard. Linder reinstates Helen through the creation of House of Helen, a brand of products available in the shop. A series of new commissions engage all five senses and see Linder staging interventions in all areas of Kettles Yard. Linder was born in Liverpool in 1954 and was an active figure in the punk and post-punk music scenes. Probably best known for the album covers which she created, her photomontages often combine everyday images taken from fashion or home magazines with images from pornography.