Baroques / Giovanni Careri ; with photographs by Ferrante Ferranti.
Language: English Original language: French Publication details: Princeton, N.J. ; Oxford : Princeton University Press, c2003.Description: 224 pages : color illustrations ; 32 cmISBN:- 9780691116907
- 0691116903
- Baroques. English
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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CGLAS Library | Yellow | 709.032 CAR (Browse shelf(Opens below)) | Checked out | 17/03/2025 | 08276 |
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709.031 MUR The late Renaissance and Mannerism / | 709.031 SHE Mannerism / | 709.032 ADA Key monuments of the Baroque / | 709.032 CAR Baroques / | 709.032 HAR Reflections on Baroque / | 709.032 HAR Seventeenth-century art and architecture | 709.032 KIT The Age Of Baroque |
Includes bibliographical references and index.
A bel composto -- The place of the viewer -- Ecstasies -- Angels -- Vanities -- Images of power -- Nature, landscapes, gardens, and fountains -- Ceremonies and entertainments -- Affetti.
From Rome to St. Petersburg, Portugal to Brazil, the Baroque was the first art movement to span not only countries but distant continents. This stunningly illustrated book takes us on a breathtaking pilgrimage through its endless variations over some two hundred years, beginning in the early seventeenth century. Readers are treated to such wonders as Bernini's intensely powerful sculptures and his immense colonnade on St. Peter's Square, imposing palace facades, painted ceilings, crucifixes, angels, demons, piazzas, villas, gardens, and more. Though once viewed in Europe as decadent compared to Renaissance art, the Baroque is seen today as the ultimate manifestation of a style that expanded the bounds of reality and engendered a "culture of visualization," prefiguring the modern age. The materials used in Baroque churches, palaces, gardens, and cities were meant to dazzle-but they did much more. Whether marble, stucco, or gilded bronze, each in its own way captures the fleeting interplay between the overt splendor of fireworks and the secret, conceptual complexity of allegory. The Baroque is an art of passions and ecstasies, but it is also a political art: it conveys an image of power charged with new energy, an image that inspired awe, fear, and respect. Above all, it is a total art: painting, sculpture, and architecture come together in Baroques as a whole that invites the reader into its transforming universe.
Translated from the French.