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String, felt, thread : the hierarchy of art and craft in American art / Elissa Auther.

By: Publisher: Minneapolis, Minnesota : University of Minnesota Press, [2010]Copyright date: ©2010Description: xxx, 247 pages : illustrations (some colour) ; 26 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780816656080
  • 0816656088
  • 9780816656097
  • 0816656096
Subject(s):
Contents:
1: Fiber art and the struggle for legitimacy: The category of fiber art -- Cultural definitions of textiles and the bauhaus weavers -- Fiber and women's work -- Fiber art, the craft revival of the 1960s and 1970s, and popular craft -- The critical reception of fiber art in the 1960s and 1970s -- Mildred Constantine and the battle for fiber art -- 2: Process art, postminimalism, and materiality: Felt in the work of Robert Morris -- The critical reception of the felts -- String, rope, and cord in the work of Eva Hesse -- The reception of Hesse's work in fiber -- Fiber, tactility, and the boundary between art and non-art -- 3: The feminist politicization of the art/craft divide: Promises and problems of the feminist critique of the hierarchy of art and craft -- Faith Ringgold: "A painter who works in the quilt medium" -- Miriam Schapiro: "The quiet revolution" -- Ringgold, Schapiro, and the art world's appropriation of quilting -- Harmony Hammond: the mythic space of the "feminine stitch" -- Judy Chicago: the vitality of embroidery -- Conclusion: fiber, craft, and contemporary art.
Holdings
Item type Current library Collection Call number Status Barcode
Book Book CGLAS Library Yellow 709.730904 AUT (Browse shelf(Opens below)) Available 08866

Includes bibliographical references and index.

1: Fiber art and the struggle for legitimacy: The category of fiber art -- Cultural definitions of textiles and the bauhaus weavers -- Fiber and women's work -- Fiber art, the craft revival of the 1960s and 1970s, and popular craft -- The critical reception of fiber art in the 1960s and 1970s -- Mildred Constantine and the battle for fiber art -- 2: Process art, postminimalism, and materiality: Felt in the work of Robert Morris -- The critical reception of the felts -- String, rope, and cord in the work of Eva Hesse -- The reception of Hesse's work in fiber -- Fiber, tactility, and the boundary between art and non-art -- 3: The feminist politicization of the art/craft divide: Promises and problems of the feminist critique of the hierarchy of art and craft -- Faith Ringgold: "A painter who works in the quilt medium" -- Miriam Schapiro: "The quiet revolution" -- Ringgold, Schapiro, and the art world's appropriation of quilting -- Harmony Hammond: the mythic space of the "feminine stitch" -- Judy Chicago: the vitality of embroidery -- Conclusion: fiber, craft, and contemporary art.