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Deleuze on music, painting, and the arts / Ronald Bogue.

By: Series: [Deleuze and the arts ; 3]Publication details: New York : Routledge, 2003.Description: xii, 221 p. : ill. ; 23 cmISBN:
  • 0415966078
  • 0415966086
Subject(s):
Contents:
Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds.
Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility.
Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting.
Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads.
Chapter Five FORCES; The Figural Systole and DiastoleThe Brutality of Fact; Forces.
Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts.
Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities.
Summary: Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.
Holdings
Item type Current library Collection Call number Status Barcode
Book Book CGLAS Library Blue 701 DEL (Browse shelf(Opens below)) Available 08371

Includes bibliographical references and index.

Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds.

Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility.

Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting.

Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads.

Chapter Five FORCES; The Figural Systole and DiastoleThe Brutality of Fact; Forces.

Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts.

Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities.

Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.