Nicole Eisenman : what happened / edited by Monika Bayer-Wermuth and Mark Godfrey.
Publication details: London : Whitechapel Art Gallery, 2023.Description: 269 pages : color illustrations ; 32 cmISBN:- 9780854883127
Item type | Current library | Call number | Status | Barcode | |
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CGLAS Library Monographs Room | EIS (Browse shelf(Opens below)) | Available | 12775 |
Published on the occasion of the exhibition held at Museum Brandhorst, Munich, 24 March - 10 September 2023 ; Whitechapel Gallery, London, 10 October 2023 - 14 January 2024 ; Museum of Contemporary Art, Chicago, 6 April - 1 September 2024.
Includes bibliographical references.
Foreword / Achim Horchdörfer, Bernhard Maaz and Gilane Tawadros
Introduction / Monika Bayer-Wermuth and Mark Godfrey
What happened / Mark Godfrey
Trial BALLOON / Nicola Tyson
Drawing Center, 1992 / Ann Philbin
Nicole gets it / Helena Reckitt
Nicole Eisenman: deep sea diver / Monika Bayer-Wermuth
Ridykeulous / A.L. Steiner
Nicole Eisenman and Studio Voltaire / Joe Scotland
Another green world / Jadine Collingwood
Sketch for a fountain / Britta Peters
Devolution derby: Nicole Eisenman and the crisis of institutions / Chloe Wyma
Chronology / Cameron Foote, Mark Godfrey and Dina Kagan
From drawing and painting to print-making and sculpture, Nicole Eisenman’s practice combines formal experimentation with wide-ranging references to art history. Her critical and often humorous commentary on the ever-changing nature of public life consistently challenges power structures and normative conceptions of gender. Nicole Eisenman: What Happened documents the breadth of the artist’s career with over 200 colour illustrations, explored in ten newly commissioned texts. Essays by curators Mark Godfrey and Monika Bayer-Wermuth survey developments in Eisenman’s work since the 1990s, while Chloe Wyma considers Eisenman’s recent engagements with national and institutional politics. Alongside are texts by artists, curators and writers, many of whom have collaborated with Eisenman and provide personal reflections on significant past projects or reflect on the lesbian and queer communities to which she has been so central. Spanning art made over thirty years, this publication traverses Eisenman’s engagement with technological, political and social changes which have shaped our individual lives during this period, leading to her recent investigations of protest and activism.