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Sexual warfare / Alexis Hunter ; contributors: Althea Greenan, Sarah McCrory, Amy Tobin ; editor: Natasha Hoare.

Contributor(s): Publisher: [London] : Goldsmiths Press, [2019]Description: 1 volumeContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781912685080
  • 1912685086
Subject(s): Summary: Sexual Warfare' presents key work by Alexis Hunter (1948-2014) made between 1968-86. The first solo presentation of Hunter's work in the UK since 2006, and in London since 1981, the exhibition brings her acerbic critique into dialogue with the contemporary moment and reinforces her importance both as an artist and a feminist. An influential figure in the Women's Art Movement in Britain in the 1970s, Hunter is best known for her staged photographic works in which she used the medium as a tool to manipulate normative power dynamics within society through gender role-play and fetishised objects. Her images draw upon the violence within capitalism's abuse of gender stereotypes and sexuality for the pursuit of profit. As feminist discourse is reactivated with new concerns, and victims are presently afforded a visible platform, revisiting Hunter's work after some four decades highlights a corresponding energy, anger and strength.
Holdings
Item type Current library Call number Status Date due Barcode
Book Book CGLAS Library Monographs Room HUN (Browse shelf(Opens below)) Checked out 29/10/2024 09870

Published on the occasion of the exhibition Sexual warfare; Alexis Hunter at Goldsmiths Centre for Contemporary Art, 23 November 2018 - 3 February 2019.

Sexual Warfare' presents key work by Alexis Hunter (1948-2014) made between 1968-86. The first solo presentation of Hunter's work in the UK since 2006, and in London since 1981, the exhibition brings her acerbic critique into dialogue with the contemporary moment and reinforces her importance both as an artist and a feminist. An influential figure in the Women's Art Movement in Britain in the 1970s, Hunter is best known for her staged photographic works in which she used the medium as a tool to manipulate normative power dynamics within society through gender role-play and fetishised objects. Her images draw upon the violence within capitalism's abuse of gender stereotypes and sexuality for the pursuit of profit. As feminist discourse is reactivated with new concerns, and victims are presently afforded a visible platform, revisiting Hunter's work after some four decades highlights a corresponding energy, anger and strength.