000 | 01916 a2200205 4500 | ||
---|---|---|---|
003 | OSt | ||
005 | 20230605124834.0 | ||
008 | 230605b |||||||| |||| 00| 0 eng d | ||
020 |
_a9780816665938 _qpaperback |
||
100 |
_aJarman, Derek _d1942-1994 _925983 |
||
245 |
_aChroma : _ba book of color / _cDerek Jarman. |
||
260 |
_aMinneapolis : _bUniversity of Minnesota Press, _c2010. |
||
300 |
_a151 pages ; _c22 cm. |
||
505 | _aWhite lies -- Shadow is the queen of colour -- On seeing red -- The romance of the rose and the sleep of colour -- Grey matter -- Marsilio Ficino -- Green fingers -- Alchemical colour -- How now brown cow -- The perils of yellow -- Orange tip -- Leonardo -- Into the blue -- Isaac Newton -- Purple passage -- Black arts : o mia anima nera -- Silver and gold -- Iridescence -- Translucence. | ||
520 | _aChroma: A Book of Color is a meditation on the color spectrum by Britain's most controversial filmmaker. From the explosions of image and color in Edward II , The Last of England , The Garden , and Wittgenstein , to the somber blacks of his collages and tar paintings, Derek Jarman has consistently used color in unprecedented ways. In his signature style, a lyrical combination of classic theory, anecdote and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams. White lies -- Shadow is the queen of colour -- On seeing red -- The romance of the rose and the sleep of colour -- Grey matter -- Marsilio Ficino -- Green fingers -- Alchemical colour -- How now brown cow -- The perils of yellow -- Orange tip -- Leonardo -- Into the blue -- Isaac Newton -- Purple passage -- Black arts : o mia anima nera -- Silver and gold -- Iridescence -- Translucence. | ||
600 |
_aJarman, Derek, _d1942-1994 _940192 |
||
650 | 0 | _aColor in art | |
650 | 0 |
_aSymbolism of colors _934771 |
|
942 |
_2ddc _cBOOK |
||
999 |
_c21656 _d21656 |