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008 180430s2018 enk ob 001 0 eng d
020 _z9781138674837
020 _a9781315561059
020 _a1315561050
020 _a9781317200130
020 _a1317200136
020 _a9781317200123
020 _a1317200128
020 _z9781138674820
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024 8 _a10.4324/9781315561059
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024 8 _a40028159405
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035 _a(OCoLC)1032655578
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037 _a9781317200130
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245 0 4 _aThe creative critic :
_bwriting as/about practice /
_cedited by Emily Orley and Katja Hilevaara.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2018.
300 _a328 pages :
_billustrations ;
_c24 cm.
504 _aIncludes bibliographical references and index.
505 _aForeword
_tL'avant-coup /
_rJane Rendell
505 _tAn introduction in five acts /
_rEmily Orley and Katja Hilevaara
505 _aFOLDING OUTWARDS 1
_tI am for an art (writing) /
_rSusannah Thompson
505 _tLyric theory /
_rP.A. Skantze
505 _tNotitia, trust, and 'creative research' /
_rIain Biggs
505 _tWriting without writing -- Conversation-as-material /
_rEmma Cocker
505 _tThe distracted cyclist /
_rG.D. White
505 _tFootnoting performance /
_rMike Pearson with John Rowley and Richard Huw Morgan
505 _tAn extract from 'Asara and the Sea-Mosntress': A play with theory /
_rMojisola Adebayo
505 _tSame difference /
_rNicola Conibere
505 _tCritical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE /
_rDiana Damian Martin
505 _tA conjuring act in the form of an interview /
_rAugusto Corrieri
505 _tYoko Ono fanfiction /
_rowko69 (Owen G. Parry)
505 _tA fugue state of theatre: On Simon Vincenzi's operationinfinity.org /
_rJoe Kelleher
505 _tWriting with fungi, contagious /
_rTaru Elfving
505 _aMiddleword one
_tWhat kind of writing do we do? /
_rPeter Jaeger
505 _aFOLDING OUTWARDS 2
_tThe blind & deaf highway woman /
_rUndine Sellbach Stephen Loo
505 _tWriting about the sound of unicorns /
_rSalomé Voegelin
505 _tFar stretch: Listening to sound happening /
_rElla Finer
505 _tInstructions for literature and life: Writing-with landscape performances of joy /
_rHélène Frichot
505 _tThirteen points, expanded (excerpt) /
_rKristen Kreider and James O'Leary
505 _tReturning in the house of democracy /
_rBrigid McLeer
505 _tDancing architecture; Architect-walking /
_rCathy Turner
505 _tDolphin Square to MI6 walk: Produced by disappearning, almost /
_rPhil Smith
505 _tIT moves: Reflections on walking as a practice of writing /
_rMary Paterson
505 _tIn departures, not departing /
_rTim Etchells
505 _tA stranger here: Reflections from within Strange Pearls /
_rChris Goode
505 _tElfie und Eleonore (für Heidi) /
_rHayley Newman
505 _tMarking a life /
_rMitch Rose
505 _aMiddleword two
_tThe critic as gesture or John Malkovich's middle name is Gavin /
_rMaria Fusco
505 _aFOLDING OUTWARDS 3
_tAre there any pictures in it? Creative practice as a serious research vehicle /
_rSimon Piasecki
505 _tAn actor's attempt at Sisyphus' stone: Memory, performance and archetype /
_rGöze Saner
505 _t81 sentences for Squat Theater circa 1981 /
_rLin Hixson and Matthew Goulish
505 _tLanguage, lips and legacy: A pedlar's life for me /
_rTracy Mackenna
505 _tA series of continuous accidents /
_rRajni Shah
505 _tThe construction of self(ies) /
_rJoanne 'Bob' Whalley and Lee Miller
505 _tThe path on the floor and other uses of hand-drawing /
_rKaren Christopher
505 _tSearching for 'the bandaged place' /
_rLouise Tondeur
505 _tThe Catalogue for the Public Library of Private Acts /
_rJohanna Linsley
505 _tField notes from a choreographic practice /
_rLucy Cash
505 _tK.Bae.Tré /
_rDouglas Kearney
505 _aMiddleword three
_tWhen /
_rTimothy Mathews
505 _aAfterword
_tL'après-coup /
_rJane Rendell
520 _a"How might a practitioner-researcher discuss and analyse their work without compromising on creativity? How might research reflect on, and become a part of, practice? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Approaching scholarly outputs in a creative manner, and finding ways to make this work 'count' under assessment, is increasingly important for the performing arts world and beyond. The Creative Critic offers an inspiring, invaluable sourcebook for students and practitioner-researchers navigating this field"--
_cProvided by publisher.
588 _aOnline resource; title from PDF title page (EBSCO, viewed May 11, 2018).
650 0 _aCriticism
_xAuthorship.
_941371
650 0 _aCritical thinking.
_936556
650 0 _aAuthorship.
_923053
650 0 _aCreation (Literary, artistic, etc.)
_920570
700 1 _aOrley, Emily,
_eeditor.
_941372
700 1 _aHilevaara, Katja,
_eeditor.
_941373
942 _2ddc
_cBOOK
999 _c25591
_d25591