The creative critic : writing as/about practice /
The creative critic : writing as/about practice /
edited by Emily Orley and Katja Hilevaara.
- 328 pages : illustrations ; 24 cm.
Includes bibliographical references and index.
Foreword L'avant-coup / Jane Rendell An introduction in five acts / Emily Orley and Katja Hilevaara FOLDING OUTWARDS 1 I am for an art (writing) / Susannah Thompson Lyric theory / P.A. Skantze Notitia, trust, and 'creative research' / Iain Biggs Writing without writing -- Conversation-as-material / Emma Cocker The distracted cyclist / G.D. White Footnoting performance / Mike Pearson with John Rowley and Richard Huw Morgan An extract from 'Asara and the Sea-Mosntress': A play with theory / Mojisola Adebayo Same difference / Nicola Conibere Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE / Diana Damian Martin A conjuring act in the form of an interview / Augusto Corrieri Yoko Ono fanfiction / owko69 (Owen G. Parry) A fugue state of theatre: On Simon Vincenzi's operationinfinity.org / Joe Kelleher Writing with fungi, contagious / Taru Elfving Middleword one What kind of writing do we do? / Peter Jaeger FOLDING OUTWARDS 2 The blind & deaf highway woman / Undine Sellbach Stephen Loo Writing about the sound of unicorns / Salomé Voegelin Far stretch: Listening to sound happening / Ella Finer Instructions for literature and life: Writing-with landscape performances of joy / Hélène Frichot Thirteen points, expanded (excerpt) / Kristen Kreider and James O'Leary Returning in the house of democracy / Brigid McLeer Dancing architecture; Architect-walking / Cathy Turner Dolphin Square to MI6 walk: Produced by disappearning, almost / Phil Smith IT moves: Reflections on walking as a practice of writing / Mary Paterson In departures, not departing / Tim Etchells A stranger here: Reflections from within Strange Pearls / Chris Goode Elfie und Eleonore (für Heidi) / Hayley Newman Marking a life / Mitch Rose Middleword two The critic as gesture or John Malkovich's middle name is Gavin / Maria Fusco FOLDING OUTWARDS 3 Are there any pictures in it? Creative practice as a serious research vehicle / Simon Piasecki An actor's attempt at Sisyphus' stone: Memory, performance and archetype / Göze Saner 81 sentences for Squat Theater circa 1981 / Lin Hixson and Matthew Goulish Language, lips and legacy: A pedlar's life for me / Tracy Mackenna A series of continuous accidents / Rajni Shah The construction of self(ies) / Joanne 'Bob' Whalley and Lee Miller The path on the floor and other uses of hand-drawing / Karen Christopher Searching for 'the bandaged place' / Louise Tondeur The Catalogue for the Public Library of Private Acts / Johanna Linsley Field notes from a choreographic practice / Lucy Cash K.Bae.Tré / Douglas Kearney Middleword three When / Timothy Mathews Afterword L'après-coup / Jane Rendell
"How might a practitioner-researcher discuss and analyse their work without compromising on creativity? How might research reflect on, and become a part of, practice? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Approaching scholarly outputs in a creative manner, and finding ways to make this work 'count' under assessment, is increasingly important for the performing arts world and beyond. The Creative Critic offers an inspiring, invaluable sourcebook for students and practitioner-researchers navigating this field"--
9781315561059 1315561050 9781317200130 1317200136 9781317200123 1317200128
10.4324/9781315561059 doi 40028159405
9781317200130 Ingram Content Group
Criticism--Authorship.
Critical thinking.
Authorship.
Creation (Literary, artistic, etc.)
Includes bibliographical references and index.
Foreword L'avant-coup / Jane Rendell An introduction in five acts / Emily Orley and Katja Hilevaara FOLDING OUTWARDS 1 I am for an art (writing) / Susannah Thompson Lyric theory / P.A. Skantze Notitia, trust, and 'creative research' / Iain Biggs Writing without writing -- Conversation-as-material / Emma Cocker The distracted cyclist / G.D. White Footnoting performance / Mike Pearson with John Rowley and Richard Huw Morgan An extract from 'Asara and the Sea-Mosntress': A play with theory / Mojisola Adebayo Same difference / Nicola Conibere Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE / Diana Damian Martin A conjuring act in the form of an interview / Augusto Corrieri Yoko Ono fanfiction / owko69 (Owen G. Parry) A fugue state of theatre: On Simon Vincenzi's operationinfinity.org / Joe Kelleher Writing with fungi, contagious / Taru Elfving Middleword one What kind of writing do we do? / Peter Jaeger FOLDING OUTWARDS 2 The blind & deaf highway woman / Undine Sellbach Stephen Loo Writing about the sound of unicorns / Salomé Voegelin Far stretch: Listening to sound happening / Ella Finer Instructions for literature and life: Writing-with landscape performances of joy / Hélène Frichot Thirteen points, expanded (excerpt) / Kristen Kreider and James O'Leary Returning in the house of democracy / Brigid McLeer Dancing architecture; Architect-walking / Cathy Turner Dolphin Square to MI6 walk: Produced by disappearning, almost / Phil Smith IT moves: Reflections on walking as a practice of writing / Mary Paterson In departures, not departing / Tim Etchells A stranger here: Reflections from within Strange Pearls / Chris Goode Elfie und Eleonore (für Heidi) / Hayley Newman Marking a life / Mitch Rose Middleword two The critic as gesture or John Malkovich's middle name is Gavin / Maria Fusco FOLDING OUTWARDS 3 Are there any pictures in it? Creative practice as a serious research vehicle / Simon Piasecki An actor's attempt at Sisyphus' stone: Memory, performance and archetype / Göze Saner 81 sentences for Squat Theater circa 1981 / Lin Hixson and Matthew Goulish Language, lips and legacy: A pedlar's life for me / Tracy Mackenna A series of continuous accidents / Rajni Shah The construction of self(ies) / Joanne 'Bob' Whalley and Lee Miller The path on the floor and other uses of hand-drawing / Karen Christopher Searching for 'the bandaged place' / Louise Tondeur The Catalogue for the Public Library of Private Acts / Johanna Linsley Field notes from a choreographic practice / Lucy Cash K.Bae.Tré / Douglas Kearney Middleword three When / Timothy Mathews Afterword L'après-coup / Jane Rendell
"How might a practitioner-researcher discuss and analyse their work without compromising on creativity? How might research reflect on, and become a part of, practice? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Approaching scholarly outputs in a creative manner, and finding ways to make this work 'count' under assessment, is increasingly important for the performing arts world and beyond. The Creative Critic offers an inspiring, invaluable sourcebook for students and practitioner-researchers navigating this field"--
9781315561059 1315561050 9781317200130 1317200136 9781317200123 1317200128
10.4324/9781315561059 doi 40028159405
9781317200130 Ingram Content Group
Criticism--Authorship.
Critical thinking.
Authorship.
Creation (Literary, artistic, etc.)