MARC details
000 -LEADER |
fixed length control field |
06166cam a2201021Mi 4500 |
001 - CONTROL NUMBER |
control field |
on1032655578 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240226111921.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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180430s2018 enk ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781138674837 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781315561059 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1315561050 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781317200130 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1317200136 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781317200123 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1317200128 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781138674820 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
1138674826 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
1138674834 |
024 8# - OTHER STANDARD IDENTIFIER |
Standard number or code |
10.4324/9781315561059 |
Source of number or code |
doi |
024 8# - OTHER STANDARD IDENTIFIER |
Standard number or code |
40028159405 |
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
UKMGB |
System control number |
018832292 |
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OCLC library identifier |
AU@ |
System control number |
000065182496 |
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
AU@ |
System control number |
000063807027 |
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
AU@ |
System control number |
000069374284 |
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
AU@ |
System control number |
000062189184 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1032655578 |
Canceled/invalid control number |
(OCoLC)1022759264 |
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(OCoLC)1032711802 |
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(OCoLC)1067208638 |
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(OCoLC)1223573624 |
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(OCoLC)1223661061 |
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(OCoLC)1260364535 |
037 ## - SOURCE OF ACQUISITION |
Stock number |
9781317200130 |
Source of stock number/acquisition |
Ingram Content Group |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDX |
Language of cataloging |
eng |
Description conventions |
pn |
Transcribing agency |
YDX |
Modifying agency |
N$T |
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YDX |
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OCLCQ |
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TYFRS |
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CNCGM |
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U3W |
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UAB |
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OCLCF |
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UKMGB |
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OCLCQ |
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UKAHL |
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OCLCA |
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UWO |
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UKOBU |
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S2H |
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OCLCO |
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OCL |
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K6U |
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SFB |
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OCLCO |
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OCL |
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OCLCQ |
245 04 - TITLE STATEMENT |
Title |
The creative critic : |
Remainder of title |
writing as/about practice / |
Statement of responsibility, etc. |
edited by Emily Orley and Katja Hilevaara. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Abingdon, Oxon ; |
-- |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
Routledge, |
Date of production, publication, distribution, manufacture, or copyright notice |
2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
328 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Foreword |
Title |
L'avant-coup / |
Statement of responsibility |
Jane Rendell |
505 ## - FORMATTED CONTENTS NOTE |
Title |
An introduction in five acts / |
Statement of responsibility |
Emily Orley and Katja Hilevaara |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
FOLDING OUTWARDS 1 |
Title |
I am for an art (writing) / |
Statement of responsibility |
Susannah Thompson |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Lyric theory / |
Statement of responsibility |
P.A. Skantze |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Notitia, trust, and 'creative research' / |
Statement of responsibility |
Iain Biggs |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Writing without writing -- Conversation-as-material / |
Statement of responsibility |
Emma Cocker |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The distracted cyclist / |
Statement of responsibility |
G.D. White |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Footnoting performance / |
Statement of responsibility |
Mike Pearson with John Rowley and Richard Huw Morgan |
505 ## - FORMATTED CONTENTS NOTE |
Title |
An extract from 'Asara and the Sea-Mosntress': A play with theory / |
Statement of responsibility |
Mojisola Adebayo |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Same difference / |
Statement of responsibility |
Nicola Conibere |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE / |
Statement of responsibility |
Diana Damian Martin |
505 ## - FORMATTED CONTENTS NOTE |
Title |
A conjuring act in the form of an interview / |
Statement of responsibility |
Augusto Corrieri |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Yoko Ono fanfiction / |
Statement of responsibility |
owko69 (Owen G. Parry) |
505 ## - FORMATTED CONTENTS NOTE |
Title |
A fugue state of theatre: On Simon Vincenzi's operationinfinity.org / |
Statement of responsibility |
Joe Kelleher |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Writing with fungi, contagious / |
Statement of responsibility |
Taru Elfving |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Middleword one |
Title |
What kind of writing do we do? / |
Statement of responsibility |
Peter Jaeger |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
FOLDING OUTWARDS 2 |
Title |
The blind & deaf highway woman / |
Statement of responsibility |
Undine Sellbach Stephen Loo |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Writing about the sound of unicorns / |
Statement of responsibility |
Salomé Voegelin |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Far stretch: Listening to sound happening / |
Statement of responsibility |
Ella Finer |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Instructions for literature and life: Writing-with landscape performances of joy / |
Statement of responsibility |
Hélène Frichot |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Thirteen points, expanded (excerpt) / |
Statement of responsibility |
Kristen Kreider and James O'Leary |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Returning in the house of democracy / |
Statement of responsibility |
Brigid McLeer |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Dancing architecture; Architect-walking / |
Statement of responsibility |
Cathy Turner |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Dolphin Square to MI6 walk: Produced by disappearning, almost / |
Statement of responsibility |
Phil Smith |
505 ## - FORMATTED CONTENTS NOTE |
Title |
IT moves: Reflections on walking as a practice of writing / |
Statement of responsibility |
Mary Paterson |
505 ## - FORMATTED CONTENTS NOTE |
Title |
In departures, not departing / |
Statement of responsibility |
Tim Etchells |
505 ## - FORMATTED CONTENTS NOTE |
Title |
A stranger here: Reflections from within Strange Pearls / |
Statement of responsibility |
Chris Goode |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Elfie und Eleonore (für Heidi) / |
Statement of responsibility |
Hayley Newman |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Marking a life / |
Statement of responsibility |
Mitch Rose |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Middleword two |
Title |
The critic as gesture or John Malkovich's middle name is Gavin / |
Statement of responsibility |
Maria Fusco |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
FOLDING OUTWARDS 3 |
Title |
Are there any pictures in it? Creative practice as a serious research vehicle / |
Statement of responsibility |
Simon Piasecki |
505 ## - FORMATTED CONTENTS NOTE |
Title |
An actor's attempt at Sisyphus' stone: Memory, performance and archetype / |
Statement of responsibility |
Göze Saner |
505 ## - FORMATTED CONTENTS NOTE |
Title |
81 sentences for Squat Theater circa 1981 / |
Statement of responsibility |
Lin Hixson and Matthew Goulish |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Language, lips and legacy: A pedlar's life for me / |
Statement of responsibility |
Tracy Mackenna |
505 ## - FORMATTED CONTENTS NOTE |
Title |
A series of continuous accidents / |
Statement of responsibility |
Rajni Shah |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The construction of self(ies) / |
Statement of responsibility |
Joanne 'Bob' Whalley and Lee Miller |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The path on the floor and other uses of hand-drawing / |
Statement of responsibility |
Karen Christopher |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Searching for 'the bandaged place' / |
Statement of responsibility |
Louise Tondeur |
505 ## - FORMATTED CONTENTS NOTE |
Title |
The Catalogue for the Public Library of Private Acts / |
Statement of responsibility |
Johanna Linsley |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Field notes from a choreographic practice / |
Statement of responsibility |
Lucy Cash |
505 ## - FORMATTED CONTENTS NOTE |
Title |
K.Bae.Tré / |
Statement of responsibility |
Douglas Kearney |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Middleword three |
Title |
When / |
Statement of responsibility |
Timothy Mathews |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Afterword |
Title |
L'après-coup / |
Statement of responsibility |
Jane Rendell |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"How might a practitioner-researcher discuss and analyse their work without compromising on creativity? How might research reflect on, and become a part of, practice? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Approaching scholarly outputs in a creative manner, and finding ways to make this work 'count' under assessment, is increasingly important for the performing arts world and beyond. The Creative Critic offers an inspiring, invaluable sourcebook for students and practitioner-researchers navigating this field"-- |
Assigning source |
Provided by publisher. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Online resource; title from PDF title page (EBSCO, viewed May 11, 2018). |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Criticism |
General subdivision |
Authorship. |
9 (RLIN) |
41371 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Critical thinking. |
9 (RLIN) |
36556 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Authorship. |
9 (RLIN) |
23053 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Creation (Literary, artistic, etc.) |
9 (RLIN) |
20570 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Orley, Emily, |
Relator term |
editor. |
9 (RLIN) |
41372 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Hilevaara, Katja, |
Relator term |
editor. |
9 (RLIN) |
41373 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Book |